


The floral print two-piece number featured several bold details, including a thigh-high slit, ab-baring cutout and oversized sleeve. The premiere of Sweeney’s breakout role in Euphoria called for a breakout style moment in Miu Miu. She pulled her hair back in a textured low knot, with a few face-framing pieces. 2018, Emmy Awardsįor her first time attending the Emmy Awards, Sweeney went for a full princess moment in a blush lace Reem Acra, which she accessorized with plenty of diamonds.

For the season two premiere, she turned to styling duo Jill Lincoln and Jordan Johnson, who helped outfit her in this tulle Carolina Herrera dress. 2018, The Handmaid’s Tale Season 2 PremiereĪnother early role for Sweeney was a recurring character on The Handmaid’s Tale. With a much-discussed rom-com and Marvel films on the way (and more Euphoria, too), we’re taking a look back at how Sweeney’s red carpet style has evolved from simple LBDs to custom embellished couture.

While she’s not afraid of taking a sartorial risk with a cutout suit or superhero-worthy metal breastplate, Sweeney’s fun and feminine style has shown that she’s a fitting Miu Miu muse through and through. The past few years, however, have proven that there’s a glamorous side to the Washington native, too. A self-proclaimed tomboy, the actress even partnered with Ford Motor Company and Dickies on a unique workwear collection, inspired by her love of restoring vintage cars. Off the red carpet, Sweeney has an affinity for classic jeans and t-shirts. Campaigns with Jacquemus, more Miu Miu and Tory Burch followed, in addition to a recent swimsuit collection with Frankies Bikinis, plus beauty campaigns with Laneige and Armani Beauty. On the fashion front, Sweeney served as an ambassador for Savage x Fenty in 2020, before landing her first high-fashion campaign as the face of Miu Miu’s Miu Wander Bag in the spring of 2022. Sweeney subsequently began working with numerous fashion and beauty brands, all of which have influenced her red carpet style in the ensuing years.
